Published 3 April 2017 by Jeff Ostrowski at Corpus Christi Watershed:
This year's Symposium will be spectacular, and the response—from all over the world—has been overwhelming. The musical program, which is close to being finalized, almost seems a direct response to an article I wrote last January entitled True Vs. False Diversity. We have a bewildering variety of styles, and new works by famous composers will be revealed.
The Credo, arranged by Chaumonot, uses 14th-century polyphony by a Catholic priest named Guillaume de Machaut, who died in 1377AD:
* * PDF Download • CREDO based on Guillaume de Machaut
Fr. Machaut’s harmonies begin at the 0:28 marker:
TWO YOUNG LADIES IN HIGH SCHOOL, Sarah and Jacqueline, generously helped record the rehearsal videos for these 14th-century harmonies. Sing through each individual line (cf. #5984) because the power is revealed “horizontally.” We created the rehearsal videos to help choirmasters, who have such a difficult vocation! Just the other day, I was pondering how...
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